Feminist Frequency
June 2013
7 posts
“Why should we care about women’s representation in video games?”
“Nobody is going to want a female protagonist!
“Their target audience isn’t big enough to warrant any games!”
“Women aren’t as capable as men, they don’t belong in video games!”
“If more women started playing video games, maybe then they’d have a say in the matter!”
New Video Game Trailers Featuring Women at E3 2013
Yesterday I tweeted about how exactly zero of the next generation games presented at Microsoft’s Xbox One E3 event featured female protagonists. A bunch of gamer dudes on Twitter decided that they did not, shall we say, appreciate my pointing that out. But Microsoft’s Xbox One event was not the only press conference that took place at the E3 Expo yesterday, both Electronic Arts and Sony featured slightly more women in their line up of new trailers. Below are a few that caught my eye!
Mirror’s Edge Announcement Teaser shown at the Electronic Arts event:
I was also excited to see that the Super Mario 3D World Trailer shown at the Nintendo Wii U event has Princess Peach as a playable option for the first time in 25 years. The last time she was playable in the core Super Mario Bros series of platformers was Super Mario Bros. 2 released in 1988 for the NES.
There were also a few other titles featured at E3 which don’t necessarily have women in the leading role but looked really intriguing including The Order: 1866, Witness, Rain, Below and of course Plants vs Zombies: Garden Warfare!
Twitter vs Female Protagonists in Video Games
Thanks #XboxOne #E3 press conference for revealing to us exactly zero games featuring a female protagonist for the next generation.
— Feminist Frequency (@femfreq)
Above is a tweet I made this afternoon in reaction to the fact that none of the games presented at Microsoft’s Xbox One E3 press conference featured female protagonists. Below are some of the Twitter replies to that observation which exemplify the male privilege and male entitlement endemic in the gaming community today. This is also a window into what it’s like to be a female video game critic on twitter.
1. @simplyflyin
3. @Triosem
6. @SethForsman
7. @Beefheart82
8. @AzEHeaD15
9. @NickFuckypu
10. @JLB_esquire
11. @MathiasKaizer
12. @About20Donuts
13. @RogerLateralus
14. @izashid29
15. @BEATandDELETE
16. @B_Razz
17. @twerk_king69
18. @Epsilon_Five
19. @Spyrolic
20. @itwasagoodtime
21. @JerkfaceMcGee
22. @patq911
23. @r0bz0rz
24. @JimPhee
25. @Pootslap
26. @Pokefan1223
27. @Aurini
28. @yutt
29. @HennersQuack
30. @GabeAsterd
31. @MundaBric
32. @DoctorWatkins
33. @xTheShad0wZ
34. @GangWarlord
35. @le_mec
36. @coolguyquietess
37. @OldMiley
38. @TheChad118
39. @dodgykebaab
40. @urafaget
41. @BJ_Dickson
42. @Bloodergo
43. @Uneternal
44. @The_Master_E
45. @TheVidyaBoy
46. @SweetVagoo
47. @ReissDJO
48. @mrdizzy
49. @IntelMiner
50. @AliAdelMohamed
Excerpt of Full Interview Q&A with IGN
A few months ago I was interviewed by Paul Dean for an article at IGN entitled “Tropes vs Women in Video Games: Why it Matters”.
Most of our conversation didn’t make it into the final article. The interview touched on a wide array of topics, including my experiences with games growing up, heroic women of the 1800s, and how I’ve responded to the organized harassment campaigns against me, among other things. Below is one of my ten answers and we’ve published the full Q&A on the Feminist Frequency website.
PD: Can I ask what you’ve been playing recently and what your responses to the depiction of women in these games has been? I noticed you recently tweeted about the female characters in Dishonored, which you felt disappointed by.
AS: I’ve been playing a ridiculous number of games over the past several months looking for either examples or counterexamples for each of the tropes in my series. I’ve also been revisiting a good amount of games I haven’t played since my childhood, which has been a little bittersweet to be honest. Mostly because along with all the fun nostalgia there’s also a number of seriously problematic gender representations, many of which I didn’t really notice back when I was a kid. So I’m playing (or replaying) everything from Zelda and Metroid to Secret of Monkey Island and Braid to the God of War and Bioshock series.
As you mentioned I recently played and enjoyed Arkane Studios’ Dishonored (especially the stealth options and the mystical listening heart!). The female characters in the game however were disappointing to put it mildly and I think they represent a failure of imagination. It’s a much longer conversation then we probably have time for here but let’s briefly examine the women in the game. First we have The Empress who might have been cool, except she is fridged within the first five minutes ending up in a pool of blood to provide a revenge motivation for the male hero (it’s also telling that there are zero other women in any positions of power or authority anywhere else in all of Dunwall). Next we have Emily who fulfills the damsel in distress role (twice). The rest of the female cast end up either in stereotyped roles or as set decoration (or both). We have cowering maids, suicidal prostitutes, the kindly caregiver, the evil mistress, the evil madam and the evil witch. It’s pretty standard stuff in game narratives unfortunately. Again, I say this as a fan of the game who’s hoping for a sequel.
The predictable defensive response to this observation I hear most often, from fellow gamers, is what I like to call the “historical accuracy” fallacy. I just have to facepalm at that kind of reaction for a number of reasons. First the game is not a historical document, it’s a fantastical alternative reality with steampunk style technology and supernatural powers derived from whale bones. Developers are perfectly willing to bend, twist or entirely throw out the laws of physics and no one bats an eye, but somehow it’s impossible to imagine even an alternative reality in which most women aren’t horribly oppressed, stereotyped or merely decorative. I’m certainly not saying all female characters need to be heroes but the “historically accurate” mantra is really just a flimsy excuse used to justify the continued exclusion of strong women from central or starring roles.
Second, even if a game was trying to be as historically accurate as possible, there were countless incredible women doing all kinds of extraordinary things in the 1800s to draw inspiration from. Ada Lovelace (1815 – 1852) is widely regarded as the first to conceive of computer programing. Sarah Emma Edmonds (1841 – 1898) disguised herself as a man and fought in the American Civil War. Harriet Tubman (1820 – 1913) was a union spy running rescue missions into confederate territory and was the first woman in American history to lead a military expedition. Annie Londonderry (1870–1947) was an international sports star for bicycling around the world. Ching Shih (1775–1844) was a pirate commanding a fleet of 1,500 ships that controlled the waters of the South China Sea. Mary Somerville (1780 – 1872) was one of many female mathematicians writing about math and astronomy in a time when women were formally barred from science fields. This is just a small handful of examples off the top of my head but there are countless extraordinary women from every era in history. Unfortunately, there is an enormous amount of ignorance out there about women’s historical contributions because their heroism (or sometime villainy) has been systematically downplayed, dismissed or written out of the history books altogether. So the truth is that inspirational women are, in fact, very “historically accurate” and as such there is just no excuse for the failure to include heroic female characters in modern games, regardless of the time-period or setting.
Check out all 10 questions on Feminist Frequency.
SIDENOTE: After I did this interview I started playing The Knife of Dunwall and so far there are a few more women in a wider variety of roles. Though the DLC does start with the murder of the Empress from first-person perspective which is unsettling to say the least.
May 2013
13 posts
The Princess Who Saved Herself
Jonathan Coulton’s song about a princess who doesn’t need saving by anyone is soon to be turned into a children’s book with Greg Pak via a stretch goal on this crowdfunding project.
“Most of my life, I would have doubted myself and backed down. Having public standing as a writer of history helped me stand my ground, but few women get that boost, and billions of women must be out there on this 6-billion-person planet being told that they are not reliable witnesses to their own lives, that the truth is not their property, now or ever. This goes way beyond Men Explaining Things, but it’s part of the same archipelago of arrogance.”
—The origin of the term Mansplaining derives from Rebecca Solnit’s 2008 article “Men Explain Things to Me”
Mansplain (v.) When a man explains something to a woman in a patronizing manner, assuming total ignorance of the subject matter on her part.
— Feminist Frequency (@femfreq)
Meta-Mansplaining: Informing a woman that she is being “sexist against men” for using the word Mansplaining
— Feminist Frequency (@femfreq)
Mansplaining: Sending patronizing emails to a woman who researches video games for a living to inform her that a game called Metroid exists.
— Feminist Frequency (@femfreq)
